Best Practices

Smithsonian American Art Museum: "Inventing a Better Mousetrap"

Transcript

Suzannah Niepold: This is a very small exhibition called Inventing a Better Mousetrap, and it’s all about patent models of the type that would have been displayed here when this was the Patent Office Building. There is one case of “mystery patents,” where you’re just given one clue and you’re asked to figure out what you think the thing made. I want to start by breaking up into groups and having you try and guess. The goal of this is for you to be sort of conscience of your process—when you’re faced with an object, what do you look for? How do you try to reason out the purpose? And remember these are models, so the real thing could be much, much bigger, but does not have to be. [Visitors commence group discussions]

[Group 1:]

Speaker 1: Patent 1368.

Speaker 2: It’s got little doors on it. It looks like a submarine almost.

Speaker 1: Are there numbers on the windows on the other side?

Speaker 2: Yeah, those are for the—I think those are for the schematic though, they’re not for the—

Speaker 1: This correlates to that.

Speaker 2: Cause there’s an eight on this door—Look at this door. And the portholes are clear. The copper bands to keep the pressure, but I’m worried I’m kind of locked into this submarine thing. I don’t know why I think it’s underwater, I don’t know what the invention might be.

Speaker 1: 1858, so we’ve got—

Speaker 2: Brooklyn.

Speaker 1: St. Louis.

Speaker 2: Well, the clue doesn’t help because I was thinking this was maybe the submersible to dig the pylons for the bridge. But what would “mayday” be? It has the top door, and then it has that.

Speaker 1: Right, an extra door. And there’s nothing inside except little bits of wood.

Speaker 2: Is it like a flare or something? Maybe it is just that size in the “mayday”? Like a signal flare?

[Group 2:]

Suzannah Niepold: Just try and figure out what it is.

Speaker 1: You see that wire?

Speaker 2: Yeah, that’s right, I was thinking it had something to do with that wire at the end. So those spools come in and it twists them. It’s an automatic fence builder; you’ve got the posts so it’s like—

Speaker 1: Yeah, ‘cause there’s the fence post—

Speaker 2: And that you put the fence post in you see where that little hook is? You put the fence post in the slot, push it, and then the wire comes—

Speaker 1: Oh, there you go, you see the little fence post receiver?

[Group 3:]

Speaker 1: Like a submarine cap, the helmets.

Speaker 2: Incense or something like that? Potpourri?

Speaker 3: Because, whatever that is…I know you all have talked about this, there’s a little lever.

Speaker 4: Oh, I didn’t even see the lever.

Speaker 2: That’s the ash maybe?

Speaker 3: Yeah, or something.

Speaker 4: That’s for a high or a low setting.

Speaker 3: Oh, okay.

Speaker 2: To let oxygen in or something.

Speaker 3: The top thing looks like a lid. Do you think it was something that they would use to eat, or something to produce a smell?

Speaker 4: It could be like potpourri?

Speaker 1: I’m just thinking, like, to keep your food warm.

Speaker 4: It’s functional. Like a food warmer.

Speaker 1: Like, I don’t know what it’s called, it’s not a crockpot. I can’t remember what it’s called, but you put your food in it, you put your flame at the bottom and then it keeps the heat going.

Speaker 4: The first microwave.

Speaker 2: A chafing dish, is that what you’re thinking?

Speaker 1: Chafing dish, thank you!

Speaker 4: I have never heard of that before, I have no idea.

Speaker 3: What material do you think it is? What do you think it’s made out of?

Speaker 4: It looks like wood.

Speaker 3: So if it’s made out of wood it’s flammable. Is it wood? Or is it cast iron? The whole thing is iron.

Speaker 1: Steel?

Speaker 3: If it’s wood it’s going to burn. But I don’t think it’s cast iron, I think it’s wood.

Have you ever introduced your students to “mystery” objects from the past and asked them to decide what they might be? Watch Suzannah Niepold of the Smithsonian American Art Museum guide TAH teachers in questioning patent models.

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